Don Giovanni by James Naughtie

Mozart and Don Giovanni by Brian Sewell

Un Ballo in Maschera by James Naughtie

Il Barbiere di Siviglia by James Naughtie

Rossini and Il Barbiere di Siviglia by Brian Sewell


Don Pasquale by James Naughtie

Iris by James Naughtie

Gianni Schicchi and Il Tabarro by Robin Simon

Die Zauberflöte by James Naughtie

Brian Sewell on Puccini

Brian Sewell on Tchaikovsky

Gianni Schicchi and Il Tabarro by James Naughtie

Robin Simon on Mozart and The Magic Flute


Cavelleria Rusticana and Pagliacci – Verismo by James Naughtie


A most limited Utopia by Brian Sewell


Performing Icons by Tom Sutcliffe

I need a hero by James Naughtie


Popopera by Robin Stringer

Modern dress and other distractions by Brian Sewell

A Stage History by Tom Sutcliffe


Patronage by Brian Sewell

Beethoven and Fidelio by Rodney Milnes

Lucia di Lammermoor by James Naughtie

And finally…. Donald Plange


Norma by Tim Ashley

Fanciulla by Rodney Milnes


Singing their hearts out by Tom Sutcliffe

Butterfly by Sir Hugh Cortazzi

Don Juan to Victim of Love by Robert Thicknesse

La sonnambula by Katharine Camiller


Ten Years of Opera by Ash Khandekar

Fédora by Robert Thicknesse

Manon Lescaut: an all-round success by Dominic McHugh

Cosi fan tutte by James Naughtie

The Merry Widow by Brian Sewell

Rigoletto: Verdi’s Shakespearean Tragedy by Katherine Camiller

The Queen of Spades by Rodney Milnes


Il barbiere di Siviglia by Stephen Jay-Taylor

Verdi, Nabucco and the People: A Chorus of Approval by Dominic McHugh

Janáček and the release of Jenůfa by Gavin Plumley

Lakme by Robert Thicknesse

L’amore dei tre Re by Tim Ashley

A decade with Opera by Tom Hawkes


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